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Kaushik Roy's first film "Apna Aasman" has met with a tepid
response but he says he was only being faithful to his dreams while
making the movie and that parents have a lot to learn from it. Roy
has a son who is also mildly autistic and he says people have to
accept the will of god and it is important that parents don't
become obsessed by their own dreams about their children.
"I was only being faithful to a dream that lasted 30 seconds. It
told me how meaningless it is to try and change the will of god and
the force of nature. Since that dream, my wife and I have accepted
our son Orko the way he is... And life suddenly became happier. I
feel parents who are similarly obsessed by their own dreams about
their children have a lot to learn from my film," Roy told IANS.
The debutant director stressed that one's first film "should
always be something that's close to one's heart. Then you can be
honest and sincere".
Roy already has quite a few scripts ready but he says his next
film, even if it's a comedy, will also have a social message.
"...I will do something that has a ready market. Who knows, may be
a comedy! But it will have a social message. Cinema can't just be
like a packet of popcorn that lasts for just the show's duration."
Excerpts from the interview:
Q: How was "Apna Aasman" born?
A: I was only being faithful to a dream that lasted 30 seconds. It
told me how meaningless it is to try and change the will of god and
the force of nature. Since that dream, my wife and I have accepted
our son Orko the way he is ...And life suddenly became happier.
I feel parents who are similarly obsessed by their own dreams about
their children have a lot to learn from my films.
Q: Wasn't the theme too close to your heart to be alchemised into
cinema? Did you find yourself responding as a father rather than a
filmmaker?
A: I believe the first film should always be something that's
close to one's heart. Then you can be honest and sincere. Yes, the
film has parts of me as a father. But by broad-basing the subject
to speak to all parents, I think I have played the role of a
filmmaker with a fair degree of commercial responsibility.
And my narrative style, which is allegorical like a fable, is my
way of making it a film for all to watch and enjoy as an
entertaining and engaging film, because as a filmmaker I was
conscious of people paying fancy prices to get into a multiplex.
Q: The response has been surprisingly cold. Did that disappoint
you?
A: More critics have loved it than the ones who have hated it. I
consider that good ... it's best to get extreme responses than the
indifferent cautious ones. As for the audience who have seen it,
we've got congratulatory notes to our website email.
Having said that, we have no money to get the crowds and there is
zero backing for independent cinema from the industry. There's a
lot of lip service, lots of double standards. It disappoints me.
Q: What made you choose Irrfan and Shobana, especially the latter?
A: I was looking for great actors who would effortlessly deliver
the roles with credibility. While Irrfan was a natural choice,
Shobana happened in a strange way. I read about her, then saw her
films and was convinced that here's a beautiful actor who is bold
enough to play a mother of a 15-year-old. Hindi cinema deserves
her!
Q: What are you making next? And with whom?
A: I have several scripts ready. Actors will be people who fit the
characters and not vice-versa. But this time I will do something
that has a ready market. Who knows, may be a comedy! But it will
have a social message. Cinema can't just be like a packet of
popcorn that lasts for just the show's duration.
By Subhash K. Jha
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