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Maverick
filmmaker Ram Gopal Varma is apparently taken over by guilt and
self-condemnation and says he regrets working with Mohit Ahlawat and
making "Shiva".
"I've
made a lot of good, bad and ugly films and introduced several
technicians who have achieved varying degrees of success. But, if you
ask me what I regret, I'd say my career's two biggest mistakes were
Mohit Ahlawat and 'Shiva' that I made with him in the lead," Varma told
IANS in an interview.
"I've realised that doing something like
repairing 'James' to make 'Shiva' was the height of self-indulgence. It
was the nadir of my creative faculties. The fiasco that was 'Shiva' was
my high alert for 'Sholay'," he added.
"Shiva", Varma's debut film in Telugu released in 1990, was remade in Hindi in 2006 with Ahlawat in the lead role.
He says making a film out of every idea is immature.
"After
'Satya' I went and made 'Kaun' without a script. I don't know why I
thought every idea of mine would make a fantastic film. Maybe, I should
re-make some of my flops."
Out of all his discoveries Varma says
that Rajpal Yadav has given him maximum satisfaction as a producer and
director and on a personal level as well.
Talking about his
recent release he said: "'Nishabd' is my most romantic film ever. If a
romantic film from me shock people then wait till you see what I've in
store in future."
Excerpts from the interview:
Q: You say "Nishabd" is a new beginning for you.
A:
It is. I'm wiping my slate clean. Whatever came before was just fooling
around. Only now have I become a serious filmmaker. My worst phase was
between "James" and "Shiva". I rushed into several projects without
scripts. I made films with people who were not able to deliver...
though I take complete blame for all the failures. But now when there's
so much responsibility on my shoulder, I feel it was highly insensitive
of me to take my job so lightly. It's easy to say, I'll do what I feel
like. But a lot of finances are at stake. And it's high time I grew up.
Q: Are you saying you were immature in your films so far?
A:
Not in the quality of films but certainly in my approach to the
financial and marketing side of the process of filmmaking! In fact,
this year onwards I'll be making films on themes that are even more
radical. I've realized that doing something like repairing "James" to
make "Shiva" was the height of self-indulgence. It was the nadir of my
creative faculties. The fiasco that was "Shiva" was my high alert for
"Sholay".
Q: Are you softening as you grow older?
A:
(Laughs) Do you think so? Ten years back I thought "Rangeela" was a
very mature film. Today, I may not think so. Then, after making
something as unconventional as "Naach" and "Nishabd", why did I go and
do something as rusted and ancient as "Shiva"? Sign of self-destruction
or arrogance... I don't know.
The other day Prashant Raj, whom
I'm introducing in "Sholay", asked me whether he should do a film with
a new director that was offered to him. I told him nothing could be
predicted in this industry. After a "Pehla Nasha", Ashutosh Gowariker
can make "Lagaan". After "Aks" Rakeysh Omprakash Mehra can make "Rang
De Basanti". And after "Sarkar" Ram Gopal Varma can make "Shiva".
Q: You've started owning up to your mistakes?
A:
Look, the purpose of making a film is to have people watch it. If a
minimum number of people don't come to watch it, what's the point of
making it? I've spent enough time repairing other people's works. It's
not about passing the buck. It's about getting more organised and
making the films in the right way. I want to get mature now.
Q: Why were you immature for so long?
A:
Making a film out of every idea is immature. After "Satya" I went and
made "Kaun" without a script. I don't know why I thought every idea of
mine would make a fantastic film. Maybe, I should remake some of my
flops.
Q: Have your protйgйs been disappointments?
A:
I've said this before... No one is here to do anyone a favour. I feel
sorry for them for the way they behave. Whatever their reasons for
feeling disappointed by me, I did give them breaks. But they didn't
understand the fundamentals and completely screwed up...
Every
human being has his own sets of values and motivations. Who am I to
question them? Very honestly I was the one who chose the script and
decisions were made by me. In fact rather than them, it's me who let
them down. And, if I didn't understand their lack of capabilities, it
was my shortsightedness.
Q: What about people like Antara Mali, who has said you've messed up their career?
A:
They may be right. I'm responsible for making them feel they were
mavericks of cinema. Take Mohit Ahlawat. He left me. I heard he had 15
producers waiting for him. I'm happy for him. And I'm happy to have
found a perfect replacement in Prashant for "Sholay".
I've made
a lot of good, bad and ugly films, and introduced several technicians
who have achieved varying degrees of success. But, if you ask me what I
regret, I'd say my career's two biggest mistakes were Mohit Ahlawat and
the "Shiva" that I made with him in the lead.
Q: Which discovery has given you maximum satisfaction as a producer and director and on a humane level?
A: Rajpal Yadav.
Q: You're sounding like a martyr.
A:
I feel sad that they don't understand I haven't lost faith in their
potential. To say that they backstab me is a very juvenile view of
things. I really don't want to dwell on all this. I'm now going to be
even more experimental than I was earlier.
"Nishabd" is my most
romantic film ever. If a romantic film from me shock people then wait
till you see what I've in store in future.
By Subhash K. Jha, Indo-Asian News Service
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