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 Pradeep Sarkar after delivering a
critical and box office success with his debut feature Parineeta had
faltered in his next one, Laga Chunari Mein Daag but with Lafangey
Parindey he has managed to get back in form and has succeeded in giving
masala entertainer. The only thing that goes against it are the
predictable plot points and the slow pace. But despite its few flaws LP
is still worth a watch for its unusual lead pair Neil and Deepika and
good direction aided by nice music.
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 There is a lingering moment towards
the end of this unvarnished look at life, way beyond the poverty line,
when the village strewn with vehicles, equipments and over-curious
mediapersons is suddenly emptied out. What we are left to look at is a
village, a family, a life and a situation on the same threshold of pain,
humiliation, hunger, and poverty, where the whole rigmarole had
started. The silence between that moment of excruciating emptying-out and
embracing that emptiness is so palpable that we the audience cannot
miss its significance.
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 Aisha is based on Jane Austin’s
popular novel Emma. Western filmmakers have attempted the big screen
versions of Emma before and Rajshree Ojha has come up with a competent
if not a fabulous Indianised version of the same with Aisha.
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 Boy hates mushy love stories, doesn’t
believe in love and all those things that come along with it whereas the
girl is a big believer in romance and is living her own perfect love
story with a childhood pal. Boy meets this girl and don’t get along but
eventually love strikes! First for the girl but the boy rejects it
explaining that he only thought of her as a friend. Soon love strikes
him too but by then it is too late. He tries to woo her back and ends up
doing all those mushy things that he hated in the first place. Punit
Malhotra’s debut directorial venture, I Hate Luv Storys works well when
it tries to poke fun at these elements but eventually falls in the same
clichéd trap when it comes to delivering as a film.
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 Since the time of the announcement of
Mani Ratnam’s Raavan, curiosity about how India’s most accomplished
filmmaker manages to do a modern day adaptation of the mythological
epic, Ramayan, has known no bounds. Thankfully, Mani succeeds in his own
inimitable way. His team’s painstaking hard work shows in every frame
of the film and his actors help him raise the film’s bar.
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 It is said that the epic saga of
Mahabharata contains all the stories that exist in this world, be it
lies, deceit, lust for power, revenge. In short all those that can make a
solid impact. Prakash Jha taking a cue from this has set his big
canvass film Rajneeti against an Indian political backdrop. But then at
the same time he has merged dollops of The Godfatherwithin it.
Nonetheless, the end product makes a compelling watch.
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 Hrithik Roshan’s Kites may make his fans very happy by the way he has
been presented (and he enacted) in the film but those looking out for a
never seen been before experience that was promised through its mega
marketing blitzkrieg will be in for a major disappointment.
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 Karan (Shahid Kapoor) is clear that he doesn’t want to spend his life
as a worker drone like his dad. Karan dreams of getting rich quick. He
starts out as a carrier for a small-time smuggler and eventually moves
his way up to bigger con jobs and bigger bucks. Three friends Bulbul
(Anushka), Zing (Meiyang Chang) and Chandu (Vir Das) join him on this
stratospheric journey, which ends in self-destructive decadence,
avarice, fighting, break-up, regret and various life lessons learnt with
most important one being honesty is the best policy.
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 After a long painful drought (thanks to the exam season and IPL
matches) of plain boring to irritating films arrives Sajid Khan’s
Housefull. While in totality it does fall short of being the big great
summer entertainer that it is been claiming to be, it however manages to
bring many laughs for you. However, eventually it settles down in
familiar territory.
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 The film begins with a huge diamond heist by master thief Prince
(Vivek) and his associates followed by few more such high profile
robberies. Three months are shown passed by and Prince wakes up with a
gun shot wound on his hand and amnesia as well. His butler PK (Mayur
Puri) reveals to him that he works as the right hand man for an
underworld don in South Africa named Sarang and that he has a girl
friend, Maya.
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 Lambodar (Paresh Rawal) comes to Bombay from Gorakhpur and lands up
at the house of Puneet (Ajay Dev gan), his nephew. Puneet and his
working wife, Munmun (Konkona Sen Sharma), had least expected the guest
and were, in fact, not even aware that they had an uncle called
Lambodar. Trying to be the ideal hosts, they conceal their annoyance and
behave well with him and extend their hospitality to the fullest to
make him feel comfortable.
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 Suffering from Asperger's syndrome, Rizvan Khan (Shah Rukh Khan) is
detained at the San Francisco airport due to his suspicious
co-passengers. We then learn that Rizvan is on journey to meet the US
President. As the story unfolds, we get a peek in Rizvan’s life. He was
married to Mandira (Kajol) a Hindu single mother. But post 9/11 as the
way Americans started looking at Muslims changes, Mandira’s son from
first marriage Sam falls victim to a racist attack.
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 Two crooks on the run, Khaalujaan (Naseer) and Babban (Arshad)
arrive at beautiful widow Krishna’s (Vidya Balan) doorstep. They tell
her they were late hubby’s good friends at one point of time. The duo
has actually run away from their Jiju Mushtaq (Salman Shahid) after
duping him of a huge sum of money and is hiding at Krishna’s house to
save their lives from him. But Mushtaq arrives at Krishna’s house and
warns them to give back his money in 15 days or face death. The duo
then on Krishna’s insistence plans to kidnap a mill owner for the same.
Meanwhile, Krishna begins her flirting game with the two. While
Khaalujaan loses his heart to her, Babban ends up getting physically
involved with her. But then Krishna has her own agenda which the two
are completely unaware of which may leave them in a shock!
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